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Any discussion of the morality of torture must distinguish two kinds of justification. The first is concerned with cases so exotic they have nothing to do with the ordinary affairs of mankind, such as the nuclear bomb ticking away in a New York basement. A real-life justification must provide a rationale for a wide range of common garden cases.
Squeezing my own body fat in front of the mirror is a horrible, but familiar experience. Reflecting on the self-loathing involved makes me red with rage and embarrassment. I should be above that. Today's women are united more by their collective disgust of their bodies than they are by any other factor.
I took the train into central Tokyo, my bum warmed by the heated seats. Each time we stopped, the train's engine shut down briefly, and the bum heater switch off for a few seconds. Over the loudspeaker I heard 'Setsuden chu', the catchphrase meaning 'We're currently using less electricity', which is posted all around the city.
In the Australian media landscape, Eureka Street is countercultural, giving space to younger writers such as Ellena Savage. She edited Melbourne University's student newspaper Farrago in 2010, following a range of luminaries including Geoffrey Blainey, Morag Fraser, Lindsay Tanner, Kate Legge, Christos Tsiolkas and Nam Le.
Canberra's bad weather has its benefits: Brisbane was Australia's capital, we might be living in a banana republic whose despotic ruling family would never want to relinquish their grip on leisure governance. The best thing about hating Canberra is that it discourages nationalism.
When I met Peter Steele I noticed a spark, a shimmer of wit that almost subverted his serious courtesy. There was a wild mind at work and play, and I would have to run prodigiously fast even to catch at its stirrups. So it has proved: it's been a long, vigorous, and exultantly grateful following.
When Germaine Greer savaged Michelle Obama's dress, I sighed. The 'beauty' market is a challenge to feminism. In France, two extremes of fashion ideology — burqas and plastic-surgery 'mannequins' — line up to buy bread.
Peter Pierce is troubled by the uncertain tone in Helen Nolan’s Between the Battles
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